So we went to see The Golden Compass last night. And now I am more convinced than ever that Bill Donohue needs to get a life. The guy is worth millions of dollars but all he does is fuss about movies he doesn’t like. Sheeesh.
Granted, the word on the street is that The Golden Compass suffered the same fate as The Da Vinci Code: all of the most controversial elements in the book were disemboweled from the screenplay. Sure enough, the Magisterium comes across about as blandly sinister as the Empire in Star Wars. In the movie, the Magisterium performs Nazi-like experiments on children (a metaphor for clergy abuse?), is willing to assassinate its intellectual enemies, and is rumored to maintain order by “telling people what to do.” Meanwhile, all sorts of cool characters are running about who ignore or oppose the Magisterium and who may or may not be on its radar screen. Lyra, the heroine of the story, is a plucky little orphan who’s not afraid to get in trouble and consequently gets herself imbroiled in the Rebellion (oops, wrong movie, but the counter-Magisterium movement doesn’t seem to have a name), helps an alcoholic polar bear to sober up and regain his dignity and sets all the about-to-be-experimented-on children free in a manner that would make Caractacus Potts proud — all thanks to her gee whiz device, the golden compass, which is basically a device for accessing one’s intuition (i.e., using the Force). I half expected characters to say to Lyra “May the Golden Compass Be With You” whenever they parted. Oh, and if you want a really over-the-top Star Wars connection, just remember that when we first met Luke Skywalker, he was as much of an orphan as Lyra is… only it took George Lucas almost two full movies before he drops the bombshell about Luke’s parentage, whereas the same plot twist happens much-more-obviously all within one movie here.
The movie is getting mostly lukewarm reviews, and I think that’s a bit unfair. It’s head and shoulders above The Phantom Menace and it’s arguably as good as the first Harry Potter film. Granted it’s no Lord of the Rings, but not every film has to have a five-star rating. It’s a lovely film, gorgeously designed and filled with beautiful people (Eva Green, Nicole Kidman, Daniel Craig, and young Dakota Blue Richards, who could out-Hermione Emma Watson any day of the week). Watching the film as a Christian, I can’t help but think that, as it stands, its message is profoundly consistent with the gospel: the Magisterium comes across as little more than a principality of this world, similar to the powers which the followers of Christ are called to resist. And the fact that the church has such a sorry history of colluding with the very powers it is supposed to resist is, as I see it, not evidence that God doesn’t exist, but rather evidence that sin does.
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